Amey Goerlich talks to Kevin Mullaney about improv exercises and concepts. Amey is the host of the Indie Cagematch in at UCB East and an independent improv teacher in New York. We talk about Krompf, pummeling, improvising with your eyes closed, bad rap warmups, half ideas, button lines, teaching film to 5 year olds, e-Improv, and bonsai tree houses.
Karen Graci is a coach and performer at iO West. We talk about about coaching Harold teams, openings, group games, short form, and Vertical Harolds. She can be seen performing with King Ten at iO West. Special thanks to Camp Improv Utopia East where this podcast was recorded.
Jack C Newell is director of the films Close Quarters, How to Build a School in Haiti and Open Tables. He is head of TV, Film & Digital at the Second City Training Center and a graduate of Columbia College Chicago in film/video. We talk about using improv to make movies, the job of the director and his latest feature which seamlessly weaves improv into the fabric of the film.
Ric Walker, Second City instructor and member of the Improvised Shakespeare Company is our guest. We talk about reacting emotionally, clown work, developing shows and more.
Mick Napier, the Artistic Director of the Annoyance Theatre is our guest. We talk about nudging students to get better, breaking out of your habits, playing without making sense, presenting long form, improv auditions and Martin de Maat.
An interview with Kevin Reome, teacher at the Second City Training Center in Chicago. We talk about how to treat students new to improv, using you statements and being the guy that everyone wants to improvise with.
See Kevin's video improv project called Facetime Improv.
Kevin interviews improv teacher and performer Dave Razowski. Dave is a former Second City mainstage performer. He teaches improv in LA. Find out more at http://www.davidrazowsky.com/
Rachael Mason, Second City teacher, talks about giving gifts, emotional responses vs. clever lines, 10 minute scenes, playing against type, deconstructions, invocations, bad habits and stage combat.
Paul Grondy has been teaching at iO in Chicago since 1997. He teaches students how to do the Harold and so we talk about Harold structure, the principles of group work, being tender and heartfelt, knowing what you know, and group things.
Anthony Atamanuik talks about how classrooms can affect a class, ninja improv, finding your improv spirit house, care and detail in space work, framing devices, monoscenes, and improvised movies.
Jodi Lennon talks about using improv for character development, object work, hot seats and simulating sex on stage. Find out more about Jodi at http://jodilennon.com/
Megan Johns teaches improv at the Annoyance Theater and is a member of the New Colony Theater company. We talk about Annoyance newbies, hybrid improv classes and using improv to write plays.
Joe Bill teaches Power Improv Workshops in Chicago and around the country. He is one half of BassProv and SCRAM and has taught for the Annoyance and iO Chicago.
Recorded live at the People's Improv Theater in New York, the guests are Ed Herbstman, Porter Mason and Nate Starkey
Evan Linder from the New Colony describes the process they use to create original plays and musicals using improvisation.
Craig Cackowski from iO West and Second City in LA talks about doing scenes from imaginary plays, feeling scenes before you know what is happening, La Ronde and the North vs. South Harold.
Armando Diaz, founder of the Magnet Theater, talks about connecting with your scene partner, initiations, using improv to write and how to teach better.
Jimmy Carrane talks about grounded scenework, the third choice, reality transaction scenes, commitment, silent scenes, side coaching and group therapy.
Will Hines and John Frusciante from the UCB Theatre in New York discuss the game, improv simulators, an improv sabbath and things to steal from Ian Roberts.
Kurt Braunohler from the People's Improv Theater discusses solo improv, image streaming, viewpoints and Caligula.
Lillian Frances, owner of the Laugh Out Loud Theater talks about auditions, teaching kids, using your warmups well, and yes-anding life.
Susan Messing performs and teaches at iO Theater and at the Annoyance in Chicago. We talk about Busby Berkeley, Doublemint Twins, Caligula and more.
Billy Merritt performs and teaches at the UCB Theatre in LA. We talk about premise based harolds and his character based improv forms where he gets students to create a single character over eight weeks. We also discuss the cube edit and the hawk edit.
Caitlin Tegart is a sketch writer and director for the UCB Theatre in NYC. We discuss how writers can help themselves by not worrying about how good an idea is, that instead they need to simply get their ideas onto the page.